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Body Mapping: What Every Musician Needs to Know About the Body

By Ann Drinan — 2008

As a performer with injury, I was very lucky as a university student. When I mentioned to my teacher some pain I was having, I was advised to take an Alexander Technique class. The class was a revelation to me, not only because I was learning how to play pain free, but because I was able to play with the tone and the concept of sound I had always had in my mind but could never achieve consistently. The foundation for my Alexander Technique study was something my teachers, Barbara Conable and William Conable, called Body Mapping.

Read on iml.esm.rochester.edu

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Along with distorting our fundamental view about the world, and the emergence of traumatic symptoms, unresolved trauma limits our capacity to be fully present; our potential and capacity for real love and intimacy are blocked, as is the ability to feel the intrinsic aliveness, vibrancy, and joy of...

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Body Mapping