By Liam O'Dell — 2021
On her debut album The Cycle, the Shropshire singer-songwriter takes on a ‘broken system’ that underestimates the vibrancy of disabled lives.
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CLEAR ALL
It’s hard to be a joyful Black creative on a good day; to pour your being into beautiful work amid ongoing injustices is already taxing. And during the current unprecedented and uncertain times, reclaiming and protecting that Black joy may feel particularly difficult.
Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison, Issa Rae on ‘Scandal,’ and 31 other prominent black artists on the work that inspires them most.
The model, artist and photographer made history when she walked the Moschino runway in her chair this season. She’s also the first creative we’re spotlighting from the BTF100, debuting today.
A few months and many deaths ago, I woke up exhausted, again. Every morning, I felt like I was rebuilding myself from the ground up. Waking up was hard. Getting to my desk to write was hard. Taking care of my body was hard. Remembering the point of it all was hard.
So many of the little rituals I have each day—like my makeup or skincare routine—do help soothe and/or rejuvenate me. For me, any type of solo practiced routine is good. But I’ve learned that self-care does not, and cannot, sustain me. And I believe that this may be the case for many of you.
Who owns your identity, and how can old ways of thinking be replaced?
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Demand from patients seeking help for their mental illnesses has led to underground use in a way that parallels black markets in the AIDS pandemic. This underground use has been most perilous for people of color, who face greater stigma and legal risks due to the War on Drugs.
To the list of identities Black people in America have assumed or been asked to, we can now add, thanks to this presidential election season, “Obama’s people” and “the African Americans.”