By Kerry Manders — 2020
Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.
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CLEAR ALL
Composer Ethan Philbrick and novelist Torrey Peters discuss what it means to make art and community after a marriage ends.
For many of us, men with broad shoulders, narrow hips, taut muscles, and white skin — sun-kissed or pale under hot lights — became an ideal we couldn’t escape. We coveted images of these bodies like treasure, and they educated us in the rules of attraction.
One big surprise (to straight people at least) is that over two thirds of LGBT people avoid holding hands in public.
For this edition of This Is America, two nonbinary people opened up about their journeys in relationships and finding their identities, a narrative that is largely unfamiliar and under-researched in a country that continues to diversify with time.
When a friend first presented to me the arguments for gay marriage, in 1994, I thought the whole idea was ridiculous. In the face of staggering prejudice against us, marriage felt so remote as to be irrelevant.