By Marion Woodman — 1990
Using dreams a guides, this book focuses on evolving masculine and feminine energies within each individual, both striving toward an inner harmony.
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In understanding such things as the role of the shadow in healing, the relationship between the ego and the transpersonal self, and the application of dream analysis, medical practitioners can better address present day health challenges.
These two essays, written late in Jung's life, reflect his responses to the shattering experience of World War II and the dawn of mass society.
The Red Book, published to wide acclaim in 2009, contains the nucleus of C. G. Jung’s later works.
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From Robert A. Johnson, the bestselling author of Transformation, Owning Your Own Shadow, and the groundbreaking works He, She, and We, comes a practical four-step approach to using dreams and the imagination for a journey of inner transformation.
Drawing on the timeless teachings of Carl Jung and compelling stories from their clinical practices, Zweig and Wolf reveal how the shadow guides your choices in love, sex, marriage, friendship, work, and family life.
The Essence of Jung’s Psychology and Tibetan Buddhism illuminates two very different yet remarkably similar traditions. Radmila Moacanin touches on many of their major ideas: the collective unconscious and karma, archetypes and deities, the analyst and the spiritual friend, and mandalas.
One of the most important of Jung’s longer works, and probably the most famous of his books, Psychological Types appeared in German in 1921 after a “fallow period” of eight years during which Jung had published little.
Man and His Symbols owes its existence to one of Jung's own dreams. The great psychologist dreamed that his work was understood by a wide public, rather than just by psychiatrists, and therefore he agreed to write and edit this fascinating book.
Here is writing with a thinking heart, blending art, literature, religion and extensive case material. Continues the author's pioneering work on the feminine in both women and men.
Dance/movement as active imagination was originated by Jung in 1916. Developed in the 1960s by dance therapy pioneer Mary Whitehouse, it is today both an approach to dance therapy as well as a form of active imagination in analysis.