This poem by David Whyte reminds us to be grateful for every day and every version of ourselves that is possible.
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CLEAR ALL
Humans are the only animals on earth who punish themselves a thousand times or more for the same mistake, and who punish everybody else a thousand times or more for the same mistake.
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Stay a verb—don’t become a noun.
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One of the deepest purposes of all art is to marry what is with what can be.
A grassroots civil-dialogue movement creates a new kind of safe space: one that invites students from across the political spectrum to discuss controversial issues, including policing, gender identity, and free speech itself.
Like most veterans, I found the transition from military to civilian life a struggle—a tougher struggle than I had anticipated. For me, I found that one of my trickier struggles was with my identity.
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A reading of poetry for "How To Cure A Ghost," Fariha Róisín will also provide directives and questions on How and Why do we heal?
“IT’S SUCH A SLOW JOY,” says poet Jane Hirshfield, about the work of revising a poem. We’ve just left the trailhead for a hike on what she calls the “hem” of Mount Tamalpais.
Jane Hirshfield says environmental concerns began creeping into her poetry as early as her 1988 collection “Of Gravity & Angels,” when she was composing “poems of shared-fate awareness, and poems of the relationship of the biological and human worlds which don’t put human well-being above...
Writer Kim Rosen raises questions about Zen, openness, and the “desperation” of the creative process.
In this edition of "The Writing Life," poet Michael Collier speaks with poet, essayist and translator Jane Hirshfield about her work and the necessity of poetry in the world. Ms. Hirshfield begins by reading "The Poet," which she often uses as an opening poem in her readings.